The unbelievable vocals of 'The Young Elder' high on the wave of the new Urban Gospel movement
By
Eunice MoseleyProducer/songwriter Claude Deuce joins other songwriters
in sharing his vocal abilities with us. A Gospel vocalist, Deuce joins a wave of artists that are being classified as "Urban"
Gospel because of their sound and delivery, which is not Traditional or Contemporary Gospel. With the release of his debut
CD, "Claude Deuce The Young Elder," on Livin' It/Taises label (with exclusive Wal-Mart distribution) you can hear
this new genre of music for yourself.
Deuce, a musician fluent on
the drums, sax, bass guitar and piano, joins Kirk Franklin, Tye Tribett, Mary Mary, Tonex and Canton Jones (to name a few)
in combining Urban R&B and Hip-Hop with Gospel lyrics. Claude goes a step further because his sound also has a touch of
Soul.
"I started out as a songwriter and then (became) a singer,"
said Claude about his music career. "I wrote songs and my manager got them to the record labels and three or four artists
used my songs."
Deuce had song placements for such artists as
Deitrick Haddon, Canton Jones, Big Al, and Tonex. As a singer his voice is unbelievable. Imagine hearing Ne-Yo or Usher singing
Gospel, Claude has that same feel. The minister of music at New Life Worship Center in Augusta and an Elder at the Church
of God in Christ, Claude said he wants the listeners to hear the influence that other artists has had on him. He says the
source of that influence changes from song to song.
"On 'It
Ain't Over' I tried to show my Michael McDonald influence... but some told me say I sound like the Wynans," Deuce laughs.
Speaking of "It Ain't Over" that is one of my favorites
on "The Young Elder" CD. So heartfelt and uplifting with emotional vocals to carry you up and over your troubles.
That song, along with "Show Me," came to Claude at a time of, what he says was a "crossroad."
"I came up with the songs when I had just got back from California and it seemed
like I was at a crossroad," he said when asked if any of the songs on the CD, he believes, came directly from God.
Deuce went on to say that while on the west coast all the producers he wanted to work
with (ie, The Underdogs) were willing if he came to L. A. and he talked of all the opportunities out there. So his prayer
was questioning God whether he should moved or not. He says the answer came back no, he was needed where he was, which was
Augusta (two hours from Atlanta). Claude say "Show Me" came out of that and "It Ain't Over."
To learn more about the Claude Deuce log onto www.myspace.com/ClaudeDeuce.
Rosephanye Powell brings back African-American
Spirituals with 'Motherless Child'
It was while in college when Rosephanye (pronounced: ro-seh-fuh-nee) studied Black Spirituals did she realize how proud she
was of her people. Now a professor of voice herself at Auburn University in Alabama, her goal is to introduce the old Spirituals
to mainstream with her debut CD release "Motherless Child" on the Inkhorn Music imprint.
"(The album is about) My journey coming from the deep south," Rosephanye said about why
she tackled the project of recording and releasing a CD. "My grandfather was a foot-soldier for Martin Luther King...went
to Alabama...singing Spiritual...that peaked my interest in blacks' contribution."
Powell said God lead her to do the record project of delivering the black Spirituals with her R&B
and Jazz influences to mainstream. A Soprano, Rosephayne has an awesome operatic voice that I can hear a Broadway stage. The
instrumentals on the album are all masterful, love the piano and horn solos.
"God said to tell the story," Powell points out. "To educate...He challenged me to 'think outside
the box'"
Rosephanye went on to explain that she started to
search for producers but they all said she wasn't Classical enough because she had too many bends in her vocals. She tried
to find instrumentalist but that didn't work out, but she said God told her 'you are going to do it yourself.' She did just
that with the help of her husband, Dr. William C. Powell - the pianist and director of music at Auburn University, who formed
a record label, Inkhorn Music, to distribute her projects.
My favorite
songs off of the "Motherless Child" CD release is the title track that brings back all those pictures of slavery;
"Deep River" sung so emotionally I felt every word she sang and it also has a piano solo that is just magical, and
"Soon - A Will Be Done," which has some unbelievable harmonic vocals in the background.
To learn more about Rosephanye or heard her music log onto www.InkhornMusic.com and www.rosephanyepowell.com.